We joined Philip Campbell on his EWTN Radio Program Faith Matters to talk about the Early Renaissance. We discuss the Early Renaissance in Italy and the Netherlands.
Download Play in New Window Today, Phillip Campbell (aka Boniface) of Unam Sanctam Catholicam joins us to talk about the history of the Middle Ages, and why most people, traditional Catholics in particular, who have romantic notions of medieval life, would positively hate it. Not to dissuade one from study or admiring the Middle Ages, […]
The following is an interview I gave on Reconquest with Br. Andre Marie, on St. Robert Bellarmine’s work on Purgatory which I translated last year. Unfortunately I did not make my own recording so I only have the goo-tube version to share. The book was too much to cover in a simple interview, thus instead […]
Today we turn away from the world’s troublesome events, and call our attention to the patrimony of culture in the Western Tradition. In past art posts I have focused mostly on the Baroque. Today, however, we go back to the very beginning of the Renaissance, to the great painter Giotto. One of the things that […]
Rubens is perhaps one of the greatest artists of all time. We spoke a little bit of Rubens before in my book review of Master of Shadows: the Secret diplomatic life of Peter Paul Rubens. Rubens is one of the greatest genre painters, because of his Catholicism, his stoicism and sense of order, his love […]
I have mostly covered art in Italy, and for good reason, Italy is seemingly unbeatable. Yet, there is another art tradition, whose Renaissance predates Italy’s, that might be the sole rival in classic European oil painting, and that is the Netherlands. Previously, I talked a little about Rubens (here), but today we are going a […]
Today when we think of artists, we often think of emotionally or psychologically disturbed individuals, staking out radical positions, challenging authority, championing unpopular issues, or in general just being rebels. This however, is not what artists were in the 17 and 18th century, with the exception of notable figures like Caravaggio and Rembrandt, or we […]
This image, while certainly the largest of Caravaggio’s works, is also in many ways the most disturbing. There is a great power in it, but it is also very dark without any apparent redemption. Like some of Caravaggio’s other works, it is a motif on violence, without any positive resolution, much the same as with […]